Revisiting Andy Warhol

The iconic soup can. What is the big deal? Well, it's not really a big deal, and that might be the point. This paper on Andy Warhol's possible Eastern Christian aesthetic has helped me see that. It's an interesting paper, and I think it's worth a read, especially if you are Catholic or Orthodox. The basic idea is this: the aesthetic style of icons, no context and no space, is present in some of Warhol's work, as evidenced by the soup can, Golden Marilyn Monroe, and Silver Liz. Okay, I see that. I think that's pretty plausible. And I didn't really see that before, but I did have some vague sense of it. I just never really unpacked it because...it's a can of soup. Icons help us encounter a transfigured and holy person. That is why icons lack space and context. Is Warhol trying doing this too? Well, if he is, it doesn't work. Yes, in some sense, all of creation is good, and goodness is convertible with beautiful, so in some sense, all of creation is beautiful, but not all beauty is equal (some have found it difficult to say plastic is beautiful), and not all beauty is holy and transcending, and icons help us encounter the holy. It is a bit of stretch to say a can of soup is holy and transcending. And for that reason, these still are not good pieces of art. It may be more interesting and cool on a t-shirt, but not any better. 


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