The iconic soup can. What is the big deal? Well, it's not really a big deal, and that might be the point. This paper on Andy Warhol's possible Eastern Christian aesthetic has helped me see that. It's an interesting paper, and I think it's worth a read, especially if you are Catholic or Orthodox. The basic idea is this: the aesthetic style of icons, no context and no space, is present in some of Warhol's work, as evidenced by the soup can, Golden Marilyn Monroe, and Silver Liz. Okay, I see that. I think that's pretty plausible. And I didn't really see that before, but I did have some vague sense of it. I just never really unpacked it because...it's a can of soup. Icons help us encounter a transfigured and holy person. That is why icons lack space and context. Is Warhol trying doing this too? Well, if he is, it doesn't work. Yes, in some sense, all of creation is good, and goodness is convertible with beautiful, so in some sense, all of creation is b...